In doing so, her film produces a form of ambivalent spectatorship that embraces what the author is calling the ‘musically queer’. Through the inter-filmic presence of Alfred Hitchcock’s Rear Window (1954) and the allusions to Akerman’s Jeanne Dielman (1975), the author argues that the cellist’s intense rendering of Dutilleux’s score, marked by his use of scordatura, catalyses Akerman’s queer mistuning of Hitchcock’s classic. This article will address this imbalance by outlining their collaborative project, before analysing Akerman’s short film Trois Strophes sur le nom de Sacher (1989), in which the cellist performs the eponymous composition by Henri Dutilleux. However, Wieder-Atherton’s influence on Akerman’s filmmaking, and her physical presence in the films themselves, have not been examined directly by scholars. N2 - The cellist Sonia Wieder-Atherton has collaborated with Chantal Akerman on her feature films, shorts, documentaries and installations. T2 - Chantal Akerman films Sonia Wieder-Atherton However, Wieder-Atherton backdrop of her film with an immersive sonic erotics that decentres the phallocentric scopic regime and fashions an acoustic space for queer spectatorial pleasures.", The author will demonstrate how Akerman charges the ‘rear view’ backdrop of her film with an immersive sonic erotics that decentres the phallocentric scopic regime and fashions an acoustic space for queer spectatorial pleasures.Ībstract = "The cellist Sonia Wieder-Atherton has collaborated with Chantal Akerman on her feature films, shorts, documentaries and installations. Her analysis draws on Tania Modleski’s critical swerve away from the male gaze in her study of Rear Window, and on Lee Edelman’s conceptualisation of Rear Window’s rumbling pulse of anal eroticism. His work also includes a Piano sonata, two symphonies, the Cello concerto 'Tout un monde lointain' (A whole distant world), the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night).The cellist Sonia Wieder-Atherton has collaborated with Chantal Akerman on her feature films, shorts, documentaries and installations. Henri Dutilleux was internationally acclaimed for his work, winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, among many others. A quotation from Bartok’s piece 'Music for Strings, Percussion, and Celesta' can be noticed atthe end of the first verse.įor upper-advanced / experienced players. The whole set requires the lowest strings of the Cello to be turned lower: G string to F sharp and C string to B flat. Henri Dutilleux composed the first part of this volume for the celebration and added the final two pieces later in 1976. It was first performed in an audition by the latter in 1982. Written on the occasion of Paul Sacher's birthday, this 3 Strophes Sur Le Nom De Sacher features three Cello pieces composed by Henri Dutilleux and reviewed by Mstislav Rostropovitch.
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